We have distributed free of charge at the exhibition in the gallery here of catalog。 This opportunity、Please do not take away on your visitors。 'Shinjuku×TPPG' (B4 in the binding / 20p / Limited edition of 250, / FREE） ちなみに明日は僕が在廊しております。
Shinjuku×tppg
Shinjuku×TPPG 2010.06.01(Tue) – 06.20(Sun) @TOTEM POLE PHOTO GALLERY 過去様々な写真家が写場として選んできた街「新宿」。Fukutoshin of landscape lined with is Kabukicho and high-rise buildings in Japan's leading entertainment district。As the place where human desire and energy gather、Photographer us repeatedly shot in this city、Also several people or photographers who was holding a gallery in the neighborhood as a place of the announcement of his own work。It seems also, as was the propagation of energy that this town was ejected。 This town is located in the city that has been loved by photographers、Its history will be Yuku followed unbroken。However,、Among the distant fog once of Shinjuku appearance。Of that city in the picture、Human odor, such as sob convulsively now is not drifting anymore、Time Yuku flow has brought a lot of changes in this town。And now、Former vestiges a lot of people who do not know have Ikika' this city。 "Shinjuku × TPPG" In the gallery members each of the time you will exhibit the "Shinjuku" of the current taken。 Rather than a return to the past、Please visit please the photographed work while exploring the possibilities of photographic expression towards the future。 ※なお展示に併せて展示カタログを発行いたします。Please see pick up at the venue。 'Shinjuku×TPPG' (B4 in the binding / 20p / Limited edition of 250, / FREE） 6月5日(Soil) 18:30You Toriokonai more Opening Party。Please come to everyone feel free。 Yuan Shen / Shimodaira Dragon arrows / SEKIGUCHI, Naoki / Akira Hiruma / 福山えみ TOTEM POLE PHOTO GALLERY 〒160-0004 東京都新宿区四谷四丁目22 第二富士川ビル1F Daini-Fujikawa bldg.1F,4-22,Yotsuya,Shinjuku-ku,Tokyo,JAPAN zip-code : 160-0004 Tel/fax : 03-3341-9341 E-mail : info@tppg.jp URL …
Flattening of the fibre-based Baryta paper
Under article image、I hung the fibre-based Baryta paper, natural dry。 It can be dried a lot of photographic paper in a small space than dried in such as overhead rack、Also convenient because Habukeru time of squeeze。 But of course、Will vigorously curling after drying is complete。 Since the dry-mount press does not own、Do the flattening not use it。 What the procedure is as follows:。 ① because it is dry in the bathroom、After drying to a crisp、To fill the steam in the bathroom performs a hot shower for about 5 minutes at Shimeki' state。 ② photographic paper includes a moderately humidity、Incorporate in the softened state。 ③ stacked together the emulsion faces、Put a press lightly with the confirmation that does not stick surface。 ④ degree of flatness is ensured、Back to the Once completely dry photographic paper of the package (10 sheets of ILFORD)。 ⑤ each package、Put the bottom of the closet of futon。 ⑥ as it is allowed to stand for about a week。 Completed this。You should become straight than multiplying the dry mount press。 But last original、Try it at your own risk (also for sterilization)、Heating with a dry mount press is recommended for archival processing)。 ≫バライタ
Balita
Today is the day.、Don't a home darkroom。 Digital darkroom、Color Darkroom、I have many、I monoclobaraita print work I like best.。 Black 締mariya、From half-tone to highlight a beautiful gradient is better left unsaid.、Such as leap and curling、Also fun takes place。 The darkroom work after pool、No longer become an annual。 ちなみにバライタとは硫酸バリウムのことです。
Mud seminar
Cloudiness、rain、Weather Rain、Rainbow after the rain、And also in the weather with rain and sharp、It has climbed along with the seminar students our photo school in Mt.。 By be bird's-eye view from the summit of the inner city that everyone live normally、Extracurricular lessons that ask them to feel the difference in the appearance of a subject with a standing position。 In place to learn、Practice and theory、Based on the idea that the words and experience should be a two-而不 two。 But well、Had with glee the most was the 38-year-old old man (his own)。 While shiritori、While singing songs、No matter down。
Do you want one day to day
After getting up、Celery of pasta and coffee for breakfast。 Cleaning and washing。 Bicycle riding Ome Kaido。 Shot in Shinjuku。Big Mac in between。A text document a little。 Photographic paper purchased at Yodobashi。 Manga purchased at Kinokuniya。 Come home to a dark room work、6cut。 A dip in the Musashino citizen pool in the water washing。 Dumplings and beer in the king of Musashisakai Station。 Again returning home、Reading while drinking shochu。 Pleasant breeze blowing through the room。
The General's Smile
Following the last week of Ten Morimura、Also going to see the exhibition of video installations this week。 Under the sky of the early summer bright day during the rainy season、Walk from Shinagawa Station to the Hara Museum of Contemporary Art。"Shogun basis smile" of today's you're looking is Yang Fudong、It exhibition, which was looking forward from previous。 When the mood well pass through the museum of the gate、First was the eyes、Was Large Groups of elderly that matrix to the ticket counter。 So widely is not exhibition room、Moreover, such a video installation work several minutes to several tens of minutes to see one work、Each exhibition room by your together inevitable and that Groups was easy to imagine。 The timing was bad kana ~。While some of regret、To appreciate the work "Shogun basis smile," you are First is also the exhibition title。 Fairly large-scale installations。To enjoy the Mr. of the work world while walking around the venue。From the round and kidnapping、As you examine again carefully see it as standing position、Groups of earlier've been admission along with the big voices not Nitsukawashiku in a quiet museum。Enter the venue as soon as、Start the array this or that door chat while watching the work。 Hmm~、Do though I wanted to watch quietly ~。But that was something that had a little Mei' cares, etc.、If we look at the Large Groups and work together to change the angle、Groups of the elderly seemed to have become part of the work。 Would that this is intended by the author? But splendidly do not work and the audience are integrated。Voice of talking to resonate with the venue was also well harmony with the work。 Large Groups is fit to continue to move slowly、While changing the I also standing position、Enjoy the accidental fortune of time。 It is one of the charm of the exhibition appreciation not Tachiae only to a certain moment。In that sense, it was a very good exhibition.。 And although it is natural、except at a certain moment、I see and feel other things.。In the meantime、The exhibition space is being enjoyed by others。It's like I can't see what's behind me when I look straight ahead.、Just like when you turn around and look behind you, you can't see the front。 But great works of art、Affects my vision and thoughts beyond the moment。Mr. Jan Hudon's work is always、Awakens the sense of transcending time and space。 By the way, if you are planning to go see it from now on,、Please prepare a jacket。Exhibition room on the second floor、The air conditioner was too effective.。 It was quite cold because the screening time was long.。
Requiem for whom?
It could be seen near the end of the "Requiem for someone" Morimura YasushiAkiraten。As the subtitle says - Art on top of the battlefield -、There were many works with strong political content.、I was able to appreciate it without any remorse。 This is a technique that achieves a high level of balance between first-class technique and the humor contained in the work.。 Photographic works and video installation works、I was able to fully enjoy Morimura's world all together.。 It was a memorable exhibition。
